This isn’t New York, but…

I can safely say that I saw some very high quality art today!! What a treat! And, I had “time to kill”, which as an artist means that I need to find something to draw on or, take in the answers others can give to you from their own visions. So, the perfect excuse!!

I have been meaning to get to the Gallery at 100 Market Street in Portsmouth to walk this show. I show here fairly often and the parameters of this show would have necessitated new work that I had no time to create. But, because I have a great respect for the curator and the quality of the work that she presents, I needed to make it a point to see “Guise, Garment and Textile”.

Steampunk Family, Astrida Schaiffer

Steampunk Family, Astrida Schaiffer

OK, I was hooked right here! The props and the photos of them on the “family” made it all too relevant. It almost felt like “Antiques Roadshow” where a participant shows up with the antique and all sorts of provenance.

David Mendelsohn is an acquaintance I very much admire, though he does push a feminist button or two with his work, when he eliminates heads and covers them with hat boxes.

David Mendelsohn's wall

David Mendelsohn’s wall

Dennis Perrin, "Watching for Swallows"

Dennis Perrin, “Watching for Swallows”

Denis Perrin’s work, including “Watching for Swallows” was so historically perfect I had to wonder if he was born 150 years ago. Style, paint and application was too incredibly European Impression, almost Berthe Morisot.

The 3rd floor belongs to Caroline Rufo. This articulate abstract craftswoman reinvents the likes of Richard Diebenkorn and all other painters who have taken their compositional inspiration from aerial photography. Her titles, like “Seeking Union” also allude to architecture and building, in the emotional sense.

"Seeking Union", (c) Caroline Rufo. Oil on board.

“Seeking Union”, (c) Caroline Rufo. Oil on board.

But, there is sometimes a sour note in a show this well executed. And, it is on the 4th floor, which tells me that it is good enough for the show, but maybe it needed to be on the 4th floor-for political reasons.

I am native American, so a piece like this entitled “The Raiding Party” was not a happy end. From purely aesthetic principles, a well-articulated and executed piece-but it smacks of knowing nothing of the Trail of Tears or any of the other atrocities that my people dealt with.

"The Raiding Party", (c)Debra Tillar, mixed media

“The Raiding Party”, (c)Debra Tillar, mixed media

Overall, this show is one of the best that Portsmouth has offered in a long time. And, since I am very pro First Amendment, I applaud all of the work in this show, whether or not I agree with politics or philosophy, because of the quality of the execution.

The Gallery at 100 Market Street in Portsmouth is open Monday-Friday on all 4 floors. The 3rd and 4th floors are not available on the week-ends. This show runs through mid-February.

 

 

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About artinsmallplaces

I am Daryl-Ann Hurst, (also using Daryl-Ann Dartt Hurst), an artist and writer, who is also interested in antiques, travel and the outdoors. I am hoping to use this blog to meld all of the interests. I was born and raised in California, have a BA in art, have been published in the New England Antiques Journal and have photography on the Gulf of Maine's website. I have shown paintings and prints nationally since 1978.

Posted on 01/14/2015, in art, New York, Portsmouth and tagged , , , , , , , , , . Bookmark the permalink. 3 Comments.

  1. I am also native american and I think you missed the point of my piece. It was meant to show the inevitable results of what happens when one culture brutalizes another culture.

  2. I am also native american and I think you missed the point of my piece. It was meant to represent the inevitable results when one culture brutalizes another culture. Payback.

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