Posted by artinsmallplaces
I am starting to work in a way that I never have before and the development is a bit scary. In some cases, I am not even sure if the message will be clear. I am also having to dust off old skills to make the photographs work, or at least convey something other than “the artist hasn’t got a clue.”
The DAPL crisis is one that I am exploring. The fact that water is less important than fracked oil is a point that our country should seriously consider, since without water, we don’t live. And, then, the point of oil would be what? So, I am referring to DAPL and pipelines in general, as a crisis.
The evacuation of the largest camp of protesters was sad. After several months of standing their ground at Standing Rock, they were forced to leave. They burnt down what was left of the camp as a symbol of protest.
Working with Barbies and other 11″ dolls leads to imagery issues. The dolls have makeup on, for example. But, as I develop this final image and others, I hope that the message will be strong enough to supersede that.
Here’s the stage of development that I am at. The teepee needs to be stiffened. And, the story will be developed from here, as well.
About artinsmallplacesI am Daryl-Ann Hurst, (also using Daryl-Ann Dartt Hurst), an artist and writer, who is also interested in antiques, travel and the outdoors. I am hoping to use this blog to meld all of the interests. I was born and raised in California, have a BA in art, have been published in the New England Antiques Journal and have photography on the Gulf of Maine's website. I have shown paintings and prints nationally since 1978.
Posted on 02/26/2017, in photo set-up, photography, social commentary and tagged art, dolls, experiments, feminism, photographs, photography, political, still life. Bookmark the permalink. Leave a comment.