Category Archives: Maine

More slide transfers to digital

10-minute-exposure

The original photo was a 10-minute long exposure overlooking Cobscook Bay in Maine. This is all film and Mother Nature-not computer-enhancement here! September, 2000.

drama-at-gros-morne

This is a sunset at Gros Morne in Newfoundland. This is one of the last shots I got with my 400mm lens before a strong gust blew over the tripod. September, 2000.

pict0014

Headed back to Corner Brook in Newfoundland. The season here is short and rough. September, 2000. Below, is a Snowy Plover from Parker River, October, 2000.

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“In the Name of Progress”, and my solo this month

In the Name of Progress

This is finished just in time for my show this month at the Franklin Gallery, in RiverStones Framing at 33 No. Main Street in Rochester, NH called “Transitions and Transmissions”.

To me, this image speaks volumes about how progress has left so much of our past literally in the dust. So much about the context of this is wrong. Where’s the farm? It’s parked on the side of US 202 in Maine. The flat tire and the chains in the middle of summer also adds to the story.

The collection that will be included is half abstracts and half pieces similar to this one.

I hope you can stop by for the opening reception on August 11, from 5-7.

More art from last night

On to the Kittery Art Association, since I had a meeting of the Seacoast Moderns to attend there.

A drastic difference from 100 Market, not so much in quality of execution, but in depth. “Color Palette” offers a great deal of eye-candy. And, much like the “candy food group” is to the body, there is real no nutritional value  to the brain in this show.

This is another venue where I am a member and regularly show, as well. I joined this art association four years ago to have an outlet, and for many of us, it does provide that in a lovely two-story building on Kittery Point. I couldn’t make the drop-off for this show, since I was hanging the Berwick Art Association show at Sole City, at the same time. There are some very technically skillful members, which was also my “draw”. And, it is not nearly as expensive to be a member as the Ogunquit Art Association or the New Hampshire Art Association-though, they look better on the resume since you are juried into them. KAA has no jury process.

Here are a few of my “picks” from “Color Palette:

"Lost Claw" (c)Cleone Graham, oil on canvas

“Lost Claw” (c)Cleone Graham, oil on canvas

"Chip", (c) Max Johnson, MM

“Chip”, (c) Max Johnson, MM

"Kayax" (c)Jennifer Chamberlain, oil on canvas.

“Kayax” (c)Jennifer Chamberlain, oil on canvas.

As with the Gallery at 100 Market Street, the KAA shows are always very well-hung. Judith Bryant has a remarkable eye for making very diverse work, in medium, theme and quality, work together. And, she has no prior knowledge what she will have to work with until it arrives!

Not as challenging or thought-provoking as the Portsmouth show, but definitely worth the drive to Kittery Point his week-end.

The Kittery Art Association is located at 8 Coleman Avenue, Kittery Point, Maine. They are open from 12-6 on Saturdays and 12-5 on Sundays. http://www.kitteryartassociation.com

 

 

Art at the Rochester Public Library, Rochester, NH for the rest of January, 2015

This whole corridor of southeastern Maine and New Hampshire, including the Berwicks, York and Kittery in Maine, and Dover, Somersworth, Rollinsford, and Rochester in New Hampshire have literally come alive since I moved back to the area in 2005. I have become very involved in two of the art associations, and the I am Show Coordinator for one, as well as on the curatorial board of the Rochester Museum of Fine Art.

The area has not kept up with gallery creation, and the economy still doesn’t support that kind of a venture without a “safety net”, but there are many great supportive venues like the libraries in the area.

I have shown five times at the Rochester Library in the new wing, where Peggy Trout arranges monthly shows with local artists and art groups. The old wing, or the Carnegie wing, displays some of the permanent collection of the Rochester Museum of Fine Art on the main floor. The Carnegie Gallery on the 2nd floor, is where the rotating and borrowed exhibits are hung.

Beth Wittenberg is on display on the main floor. Beth is a very active member of the Berwick Art Association and also a member of Blackbird Studio and Gallery, so we have shared lots of walls together. Beth and I also share a very special connection with art-making, where it seems neither of us have to rely on a muse, inspiration or even a good cup of coffee to need to make art.

works at the Rochester Public Library,(c)Beth Wittenberg

works at the Rochester Public Library,(c)Beth Wittenberg

What I love about Beth’s work is there is always more than meets the eye. In these pieces from 2013 and 2014,  she works very splattered and loose watercolor abstracts into pen-ink fantasy characters, that have color. As an abstract painter, I get lost in looking at the paint below the ink, and then float back to the finished work, appreciating it on multiple levels.

Upstairs, in the Carnegie Gallery are a collection of Dawn Boyer’s oils. Until I brush on my critiquing skills, I will respond as I have to Beth’s-as it relates to my work. Though she is responding to florals, I am looking beyond that again at paint and color. The brush work is solid and experienced. There isn’t hesitation. Nor, is there any immaturity in the palette-it is also self-assured.

Carnegie Gallery, (c) Dawn Boyer

Carnegie Gallery, Rochester Museum of Fine Art, (c) Dawn Boyer

Both of these shows will be up through the end of the month.

And, I will probably need to expand the corridor as I described it because I have been invited to show at the Gafney Library in Sanbornville, New Hampshire next month. Another 20 miles north of here.

 

 

Fall to Earth, and Edward Jones openings this week-end

Jean Coughlin discusses Blackbird Studios with a woman interested in joining.

Jean Coughlin discusses Blackbird Studios with a woman interested in joining the collaborative.

I had two show openings this week-end.

The one at Edward Jones in Kittery, Maine is a part of a satellite program of the KAA, and I have 6 pieces there that will hang until April, 2015. https://www.facebook.com/kitteryartassociation?fref=photo for more information-and there is a picture of three of the artists (including me) and the curator, Judy Bryant.

“Fall to Earth” is the last regular show at Blackbird, and runs through December 7. This collective of 15 artists produces in my estimation, the best work in the area. There is no lack of variety, ingenuity, or experimentation. The work is on the grounds as well as inside. I have 9 framed pieces and around 30 unframed pieces as well as painted light switch plates and beaded handbags available  for purchase.

Our opening receptions have also included live music. Since we had a brief period of rain yesterday, the Rogue Town Managers moved inside. When the rain stopped, they moved back outside to entertain those seated under two tents.

The Rogue Town Managers during the downpour.

The Rogue Town Managers during the downpour. The red canvas in the upper left is mine.

The gallery hours are 11-6, Wednesday-Sunday. You might also catch prints being pulled off the flatbed press, an installation being mapped out, an artist being interviewed for MODspoke, a local e-zine, as well. 387 Somersworth Rd. (Rte. 9), North Berwick, Maine.

 

 

 

 

Opening at Blackbird Studio and Gallery. 9/6

September Song reception at Blackbird

September Song reception at Blackbird

 

my full rainbow

September Happenings

Coming up: September Song opening reception at Blackbird Studio & Gallery, 387 Somerswoth Road (Rte. 9), North Berwick, Maine on September 6th, from 3-7 PM. The Seacoast Moderns will host the opening for “Igniting the Modern Muse” (our gallery group show) on September 28th, from 4-6 PM at the Kittery Art Association, 8 Coleman Avenue, Kittery Point, Maine . I am planning to teach a rendering in watercolor workshop/how to layer, working wet-on-wet, to develop shadows and richness in color at Blackbird on Tuesday, September 16th and Tuesday, September 23rd, from 6-8 PM- two-2 hour classes, $45 per person, materials included. (Contact me @artinsmallplaces@gmail.com for more information) And today: marketing, marketing and more marketing. Etsy, Pinterest, FineArtAmerica, society6, Houzz, my website and my blog….for starters.

Blackbird Studio and Gallery at sunrise-the dawn of a new movement! (c)Daryl-Ann Dartt Hurst

Blackbird Studio and Gallery at sunrise-the dawn of a new movement! (c)Daryl-Ann Dartt Hurst

Saturday openings, 4/26/14

Spring in New England means more than the awakening of tulip beds, and the disappearance of huge mounds of dirty snow. Galleries that close for the season of winter reopen with fresh vibrant work that is highly appreciated by those of us that have been deprived of someone else’s vision, in my case, or any clear vision, in the case of non-artists.

The George Marshall Store, featuring the work upstairs of the instructors at Sanctuary Arts in Eliot, Maine was incredibly well-attended! I got a chance to look at part of the show before I could no longer really look at it. It needs to be revisited though!

The crazy spring opening at the George Marshall Store, York, Maine-need to go back!!

The crazy spring opening at the George Marshall Store, York, Maine-need to go back!!

More January: “The Sky’s the Limit” opening

There’s more, and I am being limited to the amount of space I can take per blog. Hence, a collection of posts all about January! And, this is a quiet month.

A Slow Cool Waltz to Spring, photo-collage

A Slow Cool Waltz to Spring, photo-collage

This piece made its debut last year in Tamworth, and spent all summer and fall there. It faired better in Kittery and won’t be coming back to Rochester.

Pennies from Heaven, 2008, mixed media. People love the combination of real pennies and painted ones.

Pennies from Heaven, 2008, mixed media. People love the combination of real pennies and painted ones.

Pennies from Heaven made it out of the mothballs to make its first public appearance. This piece was completed in 2008, but has never been shown. I am making a point this year to show old work and reduce the prices to make more room for new work.

The reception was fairly well-attended by artists and art-lovers. The picture of Anne, Niles and Barbara was early in the evening.

Beletes was also shown-and was so fresh I was afraid the sides were still wet!!

Beletes was also shown-and was so fresh I was afraid the sides were still wet!!

 

Anne Vaughan and her significant other Niles, and Barbara at the opening.

Anne Vaughan and her significant other Niles, and Barbara at the opening.

 

 

January art (Part 2)

At the end of the afternoon at Dahlia, Kerri Morton, the proprietor and I decided that my work should continue to hang in her store through Valentine’s Day.

I left and followed Jean Coughlin back to her house to look at the studio space that she intends to share which comes complete with a flatbed relief printing press and other art making tools. To be continued…

The following day was the opening reception at Kittery Art Association.

What I call the "Terra Font" corner-it pretty well dominates it.

What I call the “Terra Font” corner-it pretty well dominates it.