Category Archives: NH
This will give you a sense of scale of the newest work. “Untarnished Symphony” is 98″ x 69″. I’m short at 5’1″, but still, they are quite large.
The opening reception was small, but pleasant-attended mostly by friends, and a few of the faculty and students.
I would now like to use this show as a place to talk to galleries in the area. It is up through April 28th at Great Bay Community College in Portsmouth, NH. Please feel free to contact me at email@example.com.
The featured piece for this show by Great Bay Community College is “I Cried About Paris. Twice”, shown above. This piece is 36″ x 48″, and oil on canvas. The tragedy in November was the catalyst for this piece. It also felt very close to “home” since my sister had been in this part of Paris less than 4 months before.
There is no piece in this show smaller than 48″ x 24″, so I am saying that this is the largest show I have ever put up, even though there are only 13 pieces total.
The title piece and one companion are both on unstretched canvas and are mounted mush like tapestries. “Fancy Parade”, 98″ x 69″ is shown here:
Both of these pieces are examples of what the college refers to as my “fearless use of color”. They also demonstrate the two predominant styles in the show. These larger pieces need to be treated with thin paint because of the instability of the painted surface. However, more expressive stretched canvases are worked primarily with a knife.
The inspiration for “Fancy Parade” and “Untarnished Symphony” is the celebration of life and color. I recently also lost my mother and an old dear friend. They are memorialized in the two “Pacific Suite” pieces. I also just heard that a good friend’s brother has passed-I may pay a small tribute to him in the same way.
This is “Pacific Suite: Sandpiper and Santa Barbara”, 36″ x 48″, oil on canvas.
This show is up through April 29th, with an opening reception on March 10, from 5-7. Gateway Gallery is located in the main foyer of Great Bay Community College, 320 Corporate Drive, Portsmouth, NH 03801. The public is welcome to visit during college hours (see their website) and to attend the reception which will be catered by the Green Bean Restaurant.
Please also feel free to visit my website at dadartthurst.com
I looked into grants a few months back, to discover the state is not offering any individual artist grants this year. But the state seems to now be realizing that art is a valuable component for economic growth and development.
And, as a Los Angeles ex-patriot, I know that to be very true. When the galleries and studios moved into the old garment district in downtown, the area totally turned around. What had once been an area where it was well-advised for a woman to never be alone, turned into an interesting, trendy area with an edge. The same thing has been happening in New York City for decades, as well.
Hopefully, they can find the nickels to help perpetuate that growth! Revitalization depends on it!!
We have made really great strides since I was asked to join the Curatorial Committee last June. Huge strides!!
Almost two weeks ago, I assisted in the relocation of some of the permanent exhibit from a storage locker to the Community Center in Rochester, New Hampshire. Amy Regan, Matt Wyatt and I also changed the shows at the Goodwin Library, in Farmington, NH and the the Rochester City Hall, in Rochester, NH.
This week we announced our Short Film series which will show at the Rochester Opera House next month.
Benjamin Cook goes up in the Carnegie Gallery in the Rochester Library tomorrow.
And, tomorrow I am among the jurors for the International Biennial 2015. That will be hung in the Carnegie Gallery in June.
More to come!!
First of all, I am speaking as Daryl-Ann Dartt Hurst, artist and photographer. I have affiliations, boards that I serve on, etc. I am speaking for none of them-I am speaking for me here. So, please let none of these opinions fall back on any of those relationships.
The idea of censorship as a topic actually crossed my desk last week in an article that ran in the Washington Post online that dealt with Facebook. Let’s start here.
This is art, fine art, art that has been revered for more than a century. Art that is academically accepted. Museum art. Art that changed ways that we think about…art. And, what can be exhibited. What is acceptable. As nauseum.
Facebook censored this image, claiming that it was not acceptable for “grandma”. OK. Is grandma reading every site posting art? Out of the zillion sites, is every one being visited by “grandma”? I have to tell you, I did a bit of a “stalk” on a few of a friend’s site (don’t we all-but I was looking at art), and there was outright huge pornography on one. Huge-no questions-a penis in the vagina type.
So, I am confused as to who determines what is acceptable on Facebook.
The local issue is less of who, but more about why.
Beth Wittenberg recently was asked by the Rochester Museum of Fine Art to be the first to display in a venue in downtown Rochester, New Hampshire. The storefront on Main Street, that used to be Carney Medical’s has been given over to the museum for temporary displays, known as “pop ups”.
Now, I’ll give you a little background on the museum. It is a total voluntary operation. We have little financial support-and yes, I did switch “person”, because I am on the Curatorial Board. We are basically a self-governed concern except when it comes to our displays. We use any decent space given to us, and the Carney space availed itself to something new. The libraries, Community Center and Town Hall have set parameters regarding nudity, violence, profanity, etc.
Because the Carney space is new for us, the decision was to relax the restrictions. This turned out to not be what that concern was comfortable with, so we were asked to pull the offending work.
The result has been a railing by the presenting artist, as well as other artists in the area, against the museum.
So, here we are. A museum with no owned real estate, trying to present what we can, and pushing as many envelops as we can too. In this case, we went a bit too far. So, here’s the why. Because we don’t own it, we have to bow to the owners.
The blame of censorship needs to go elsewhere, in this case, as well as the cry that the museum should not have pulled this show.
I, as an artist, hate this. I want to say what the fuck I want and when the fuck I want to say it. And HOWEVER the fuck I need to do that. But, the museum has to do this-because, again, this is borrowed real estate.
And, as the Show Coordinator of the Berwick Art Association, every time I hang one of our shows in a local library or school, you best believe, there will be no “fuck” in any of the pieces I hang. Again, not my choice if it were my walls, but they are family walls. As a rep of the BAA…”fuck” ain’t OK here, either.
Some of the area’s art offerings require a 20-40 minute drive. The Gafney Library has gained the reputation for the offering some of the best of who Strafford County has for art. And, since I showed there last month…
This storm felt overrated for snowfall, and yet it would have been treacherous to drive in-so I am thankful that I didn’t need to. Predictions for the snowfall accumulations were as much as 30 inches on Sunday, and we might end up with 12-15 inches. Nothing to sneeze at, but I have seen worse.
The wind that came along with this storm however…and the combination… are of the deadly variety. Wind chills are below zero. The snow bites into any exposed flesh. Frost bite is more than a possibility. And, the snow is still swirling around to make visibility for more then twenty five feet difficult.
Since replacing my camera is really not something I want to do at the moment, I saved all photography for inside, looking out.
My favorite images of this group include snow on the screen or the window frame, demonstrating that it really is effecting me, even though I am inside.
I am sure that I probably could have tweeked these with any number of programs and made them more interesting to some, adding color, pumping the contrast, etc. My idea for my photography is to remain as true to the image as possible. I will crop, when needed-neither of these were. I enhanced light and contrast minimally so the viewer still sees what I saw-not a tremendous amount beyond the window screen.
My camera travels with me, and I see a continuation of the exploration of this storms visual effects, after the matter.
To be continued. Tomorrow.
This whole corridor of southeastern Maine and New Hampshire, including the Berwicks, York and Kittery in Maine, and Dover, Somersworth, Rollinsford, and Rochester in New Hampshire have literally come alive since I moved back to the area in 2005. I have become very involved in two of the art associations, and the I am Show Coordinator for one, as well as on the curatorial board of the Rochester Museum of Fine Art.
The area has not kept up with gallery creation, and the economy still doesn’t support that kind of a venture without a “safety net”, but there are many great supportive venues like the libraries in the area.
I have shown five times at the Rochester Library in the new wing, where Peggy Trout arranges monthly shows with local artists and art groups. The old wing, or the Carnegie wing, displays some of the permanent collection of the Rochester Museum of Fine Art on the main floor. The Carnegie Gallery on the 2nd floor, is where the rotating and borrowed exhibits are hung.
Beth Wittenberg is on display on the main floor. Beth is a very active member of the Berwick Art Association and also a member of Blackbird Studio and Gallery, so we have shared lots of walls together. Beth and I also share a very special connection with art-making, where it seems neither of us have to rely on a muse, inspiration or even a good cup of coffee to need to make art.
What I love about Beth’s work is there is always more than meets the eye. In these pieces from 2013 and 2014, she works very splattered and loose watercolor abstracts into pen-ink fantasy characters, that have color. As an abstract painter, I get lost in looking at the paint below the ink, and then float back to the finished work, appreciating it on multiple levels.
Upstairs, in the Carnegie Gallery are a collection of Dawn Boyer’s oils. Until I brush on my critiquing skills, I will respond as I have to Beth’s-as it relates to my work. Though she is responding to florals, I am looking beyond that again at paint and color. The brush work is solid and experienced. There isn’t hesitation. Nor, is there any immaturity in the palette-it is also self-assured.
Both of these shows will be up through the end of the month.
And, I will probably need to expand the corridor as I described it because I have been invited to show at the Gafney Library in Sanbornville, New Hampshire next month. Another 20 miles north of here.
Artstream in Dover, NH has curated and is hanging a group show of some of the members of the Berwick Art Association. I have two pieces included.
I seem to find myself daily telling my little FB world about my art-and I am certainly missing a much larger audience. So…I can always start here, and repost to FB.
Crazy, silly busy week-end in this area for art openings. The first that I attended was on Friday, for the Gallery at 100 Market, in Portsmouth, for their spring show. I have two pieces in this show.