Category Archives: Rochester
I was diagnosed with Small Cell Carcinoma in October. There have been chemo and radiation therapies since. Last Sunday, I slept from 2PM on with the help of one of my anti-nausea meds. The last several days I have been up until after 9, my old bedtime.
A week ago I dropped off “Imperfection” (above) to the Harlow Gallery, easily a two hour drive from here. And, two hours to return. I was not up to that kind of a drive. Today, it might have been more fun.
Today, I also thought about a proposal that could go to 3S and Space. And, I continue to think about it though I haven’t put pen to paper yet. I worked on the next two of the “Imperfection” series, both of which are larger than the one at Harlow.
And, here I am.
The Rochester Library show went up last week, which incorporates most of what I have completed since I was diagnosed.
“Holding It Together 1” demonstrates another of the artistic concerns that I have embraced recently. Both this series and the “Imperfection” series are monochromatic. These, however, utilize a myriad of materials that are either painted to approximate the color of the canvas or inherently are a similar shade.
“Homage to the Surrealists” uses no paint. The native color of the materials is what is important, along with the textures and translucency.
So, along with a renewed interest in Photoshop, which I also purchased this week, I am exploring my best in 2-D art.
This image says a lot about me.
Home is California. Tribal home may be Ojai, though I am not entirely sure of that. I just know when I am there, it feels like home.
It’s painterly, and geometric. Bright, but I also can work really complex color.
Still in progress. Oil on unprimed canvas. 108’X 69″
The season has opened with a bang in the area, and I have gotten quite a bit of attention. That does not bother me or hurt my feelings, but it does change priorities!
Last Monday, I was able to secure the June slot at the Gallery 280, which is part of Portsmouth Public TV in Portsmouth, NH. I had submitted twice before, and heard nothing back. They changed directors, and I met with the new one last Monday. This will be a two-person show and includes a half-hour interview segment, which will air every Thursday during the month of June. Cool and intimidating!! (I will have about enough room for 20 of the ReDeFine series). That show will open June 4th.
I also have 4 pieces in an upcoming show at artstream gallery in Dover, NH called “Love Letters”. These are all postcard-sized pieces. That show opens late in May.
The Gallery at 100 Market Street submission is due very soon, but the curator has expressed interest in the “Portrait” series. That show will open early June.
Blackbird Studio and Gallery reopened with resounding success with the Carolyn Chute visit and book-signing. We had our first official reception last week-end and had a good turn-out and sales!! Our next opening reception will be May 30, and I plan on having NO work on the walls. I am starting to install a very large installation piece on the property over Memorial Day, and I am developing it daily!
Oh yeah, and the high point, and the reason for this post…I have been nominated in the “Outstanding Painter, Non Traditional” category for the Seacoast Spotlight Awards Editors’ Choice and I am also on the Readers’ Choice ballot. This nomination alone is a huge validation for hard work! And, the group I am “against” are really good painters and I am friends with one of them for the Editors’ Choice. I am friends with several for the Readers’ Choice.
http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT This is the explanation, and listing for the Editors’ Choice.
For the Readers’ Choice ballot, please visit this link: http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT. In the third paragraph, it says click “here” and that takes you to the survey/ballot. And, this will be very hotly contested, so I’d love as much help as possible!! Thanks!!
My show at the Rochester Library looks awesome too. That runs through the end of May.
Thanks for being here!!
I have a one-person show up though the end of the month at Timeless Framing in Rochester. NH. I stopped to see it next on my “art around the area”.
These are all of the recent “Portraits”, and a few of the transitional works.
The opening reception for this is next Friday, from 5-7.
If you are interested, please visit my website at http://www.dadartthurst.com and Friend me on Facebook at Daryl-Ann Hurst Studio.
We have made really great strides since I was asked to join the Curatorial Committee last June. Huge strides!!
Almost two weeks ago, I assisted in the relocation of some of the permanent exhibit from a storage locker to the Community Center in Rochester, New Hampshire. Amy Regan, Matt Wyatt and I also changed the shows at the Goodwin Library, in Farmington, NH and the the Rochester City Hall, in Rochester, NH.
This week we announced our Short Film series which will show at the Rochester Opera House next month.
Benjamin Cook goes up in the Carnegie Gallery in the Rochester Library tomorrow.
And, tomorrow I am among the jurors for the International Biennial 2015. That will be hung in the Carnegie Gallery in June.
More to come!!
The next couple of months will be very big for the visual arts in the area. Events are starting to overlap, and I can only be in so many places at once!!
This is my contribution to artwork offerings.
I hope all can attend!
First of all, I am speaking as Daryl-Ann Dartt Hurst, artist and photographer. I have affiliations, boards that I serve on, etc. I am speaking for none of them-I am speaking for me here. So, please let none of these opinions fall back on any of those relationships.
The idea of censorship as a topic actually crossed my desk last week in an article that ran in the Washington Post online that dealt with Facebook. Let’s start here.
This is art, fine art, art that has been revered for more than a century. Art that is academically accepted. Museum art. Art that changed ways that we think about…art. And, what can be exhibited. What is acceptable. As nauseum.
Facebook censored this image, claiming that it was not acceptable for “grandma”. OK. Is grandma reading every site posting art? Out of the zillion sites, is every one being visited by “grandma”? I have to tell you, I did a bit of a “stalk” on a few of a friend’s site (don’t we all-but I was looking at art), and there was outright huge pornography on one. Huge-no questions-a penis in the vagina type.
So, I am confused as to who determines what is acceptable on Facebook.
The local issue is less of who, but more about why.
Beth Wittenberg recently was asked by the Rochester Museum of Fine Art to be the first to display in a venue in downtown Rochester, New Hampshire. The storefront on Main Street, that used to be Carney Medical’s has been given over to the museum for temporary displays, known as “pop ups”.
Now, I’ll give you a little background on the museum. It is a total voluntary operation. We have little financial support-and yes, I did switch “person”, because I am on the Curatorial Board. We are basically a self-governed concern except when it comes to our displays. We use any decent space given to us, and the Carney space availed itself to something new. The libraries, Community Center and Town Hall have set parameters regarding nudity, violence, profanity, etc.
Because the Carney space is new for us, the decision was to relax the restrictions. This turned out to not be what that concern was comfortable with, so we were asked to pull the offending work.
The result has been a railing by the presenting artist, as well as other artists in the area, against the museum.
So, here we are. A museum with no owned real estate, trying to present what we can, and pushing as many envelops as we can too. In this case, we went a bit too far. So, here’s the why. Because we don’t own it, we have to bow to the owners.
The blame of censorship needs to go elsewhere, in this case, as well as the cry that the museum should not have pulled this show.
I, as an artist, hate this. I want to say what the fuck I want and when the fuck I want to say it. And HOWEVER the fuck I need to do that. But, the museum has to do this-because, again, this is borrowed real estate.
And, as the Show Coordinator of the Berwick Art Association, every time I hang one of our shows in a local library or school, you best believe, there will be no “fuck” in any of the pieces I hang. Again, not my choice if it were my walls, but they are family walls. As a rep of the BAA…”fuck” ain’t OK here, either.
I saw the work at the Carnegie Gallery by the South African artist Marsi van de Huevel yesterday. The Carnegie Gallery is an amazing little art oasis in Rochester, New Hampshire in the Rochester Public Library, which is curated by the Rochester Museum of Fine Art. I am a member of the board and proud to be representing this incredible work.
First, there is the medium. This work is painstakingly produced with pen and ink. Incredibly time-consuming.
Secondly, larger than “sketchbook scale” here is also presented. Scale in some mediums isn’t questioned. It used to be, “the bigger the more important”, because, well, it’s harder to ignore. So bigger oils and acrylics are now often dismissed just BECAUSE of size, meaning that rule really doesn’t apply to painting unless they really deserve the size. That rule has been around for decades.
Dry mediums and watercolor are usually not presented in a larger format, nor are pen and inks, which is why van de Huevel’s and work I need to revisit at The Gallery at 100 Market Street are important. It is time we challenge what can be large, and ignore the framing!
To be continued…
I was feeling like I was either sliding on ice, or my paint really needed a little hint as to where land on the canvas. So, rather than set up shop, I decided to do some business and hopefully get some hints as to what to try next.
I started with Timeless Frames. I ordered mat board, and priced frames and talked about setting up a solo show there in the next couple of months. The work that is up there is work from the BAA that has been up since last month. So, no new work to see.
From there, I went back to downtown Rochester to RiverStones Framing and Gallery. A colleague told me that the owner would be interested in showing the BAA so I wore my Show Coordinator cap, and strolled in. Kris was very receptive and marked us on her calendar for July. As I was chatting with her, Ross Bachelder showed up to hang his show, and the three of us discussed an upcoming show at Drift Gallery at Zev Yoga, a solo by my dear colleague, Jeannie Griffin-Peterka. That’s an opening that I am hoping to not miss.
Ross’ opening at RiverStone’s, 33 North Main Street, Rochester, NH will be next Saturday, from 12-3.
I drove to Dover, and artstream wasn’t open.
Mill River Custom Framing & Art Gallery no longer shows art, but it was “old home week” because I showed with Sandi when her shop was in the Rollinsford Mills. We had a good chat.
(Can you see where this is going…)
Next stop was Michaels for foam core. As per usual, I always seem to be asked a technical question when I am in the store, and today David needed to know what gel medium was. I happened to be looking at canvases, in the same aisle. Timing is everything.
Nahcotta gave me something to look at, though I can’t gush about much that I saw. I do like Jeremy Miranda’s work, so I’ll start there.
Because I “borrowed” this image from Pinterest, I can’t enlarge it much further without distorting it completely out of recognition. I don’t like all of his work but where he rips away a wall to these really homey, pleasant spaces, exposing them to something a great deal less comfortable I find to be captivating. They brilliantly describe how vulnerable everything is without taking out the floor or the roof. And, I love how quiet they are.
Who knows what’s going on with this depicted Christmas. I come from an alcoholic family, where Christmas could really be ugly, when I was growing up. Or not. But, I can relate to those waves. As a child, I never really knew how rough the surf would be.
I will cut Nahcotta “slack” because this really is off-season, but the rest of the show was “off”-not hung as well as they usually present work, and didn’t have any real flow.
But, I saw art.
I also stopped at the Portsmouth Library to get info on who to contact for the BAA shows, and the librarian was lovely and gave me a few more suggestions as to who in Portsmouth to contact.
The final stop was the Levy Gallery (NHAA). I never saw all of the SHAPES show because I was instantly drawn into the side gallery when I noticed two pieces by my compadre Elaine Mendzela on the wall. She is one of the new members. When I came back to the main gallery, I was caught up in conversation with Barbara Alberts, who is also a new member. Barbara is a new transplant from Pittsburgh, and is now a new friend.
So, a day about reconnecting and connecting and new connections.
That’s art, too.