This photograph was shot six years ago and I never printed a really decent copy of it. I have attempted this as a painting twice, once in pastel, once in watercolor.
“My Favorite Little Rocker”, 2017. Watercolor on Arches.
The year has started with a pile of resolutions, but none that can’t be attempted. I’d like to figure out a way to start making a consistent side-income, and this looks as good as any. It will require practice, but these are the first of the “Friends’ Portraits”, and they have been well-received by the subjects and our friends.
“Bill”, 2017. Watercolor on Arches.
“Jaybird”, 2017. Watercolor on Arches.
“Jeannie”, 2017. Watercolor on Arches.
This is a departure for what I normally do in this medium and the medium that I normally do portraits in. I am quite comfortable working with a dry medium for this subject. It’ll be a few more attempts before the portraits get the color-vibrancy that my cars have, for example.
These two cars were completed right before Christmas.
Please feel free to contact me if you have a subject that you would like rendered in watercolor. There will be more examples to come.
by Daryl-Ann Dartt Hurst
I am waiting for the first real contributions. The snow is falling at a fairly appreciable rate. And, well, these ornaments are just hanging here 🙂
Artinsmallplaces originally was created to talk about other people’s stuff. In those days, I was mainly concerned about art which seemed to be popping up everywhere. I wanted to make sure the world knew where and when art could be seen in the area.
Today, I am more concerned about creating a viable alternative zine. Something that will provide interesting reading material for a vast cross-section of the population. This will also create a more arts-ready population (I think), so it serves the same purpose as it was originally intended.
I am also including the writing of contributors this time around. I plan on wearing more of the Editor-in-Chief hat than the writer/artist hat. I am hoping for quality work in both the written and the visual contributions and I encourage anyone who is interested to contact me with submissions. No queries are necessary. Though, since this is a start-up I will not be able to pay now, I hope as we grow the readership.advertising base, that will change. (I’d like to get paid too.)
Please feel free to contact me at email@example.com with materials. I am open to discuss ideas that I think might not fit the “plan”, so you will not just get a flat “rejection” letter. I am an artist, too.
OK, this is pathetic. I haven’t posted anything in almost four months.
It has been a weird year so far, and I’m not going to make any further excuses. There are lots of changes on the horizon, and I’ve been concentrating on trying to meld ideas and paint. And, I am no longer trying to make it make sense. A change is just that.
The new work was not spawned but reinforced by two commissions, and a sale of two other realistic watercolors.
Below is Chris’ first piece which, when I delivered it, responded with “That’s f–king awesome!” Guess he liked it. And, enough that I am finishing up another one for him which I will deliver next week.
So, with this bit of prompting, I am revisiting this kind of work. As long as it involves a paint brush and paint.
This is an update of the Black Grounds, now named Jealousy and Fear. There are still some possible finishing touches on both but I am pretty comfortable.
Last January, a work mate and friend gave me a pad of black paper. I loved black paper in college but haven’t worked much on it since. I have two smaller works solos coming up and this presented a perfect opportunity to work with pastel.
The first drawings have been well-enough received that I then did a 24″ x 36″ oil and oil pastel and chalk painting called “Melting”, which is in the Art PM show at BUOY Gallery in Kittery, Maine.
Today, I started the color on pre-painted black canvases:
I sure like it when my confidence is restored. As elegant and simple as “Melting” is, these are much more in keeping with my style. Neither are finished, and don’t have titles as yet, either.
This image says a lot about me.
Home is California. Tribal home may be Ojai, though I am not entirely sure of that. I just know when I am there, it feels like home.
It’s painterly, and geometric. Bright, but I also can work really complex color.
Still in progress. Oil on unprimed canvas. 108’X 69″
This will give you a sense of scale of the newest work. “Untarnished Symphony” is 98″ x 69″. I’m short at 5’1″, but still, they are quite large.
The opening reception was small, but pleasant-attended mostly by friends, and a few of the faculty and students.
I would now like to use this show as a place to talk to galleries in the area. It is up through April 28th at Great Bay Community College in Portsmouth, NH. Please feel free to contact me at firstname.lastname@example.org.