Blog Archives

“Insurance”

So little of being sick has to do with the body. The mind can take the healthy and make a real mess. Or, more commonly, it can take weak and make it weaker-and that’s what I am fighting.

I was seemingly getting along with my new chemo until last Friday. The HR department of the company I work for called to tell me that my short-term disability would be ending today. I thought I had until February 5. Then, the spiral started. By Friday night, I was having serious gastro-intestinal issues which I am still having, though not to the degree that I did on Friday night or Sunday morning.

I called my doctor today. I will be getting mid-treatment blood work and hydration tomorrow. The insurance has also been straightened out.

insurance

“Insurance”, 2017. Mixed media on canvas. 10″ x 10″ (c)Daryl-Ann Dartt Hurst

“Real”

Aside from watercolor portraits, I am starting a large installation piece entitled “Real”. The premise behind it is that all 2-D art has a semblance of reality, and everything I put on canvas reflects mine. I had originally thought that these pieces would all have a direct relationship to my “cancer pieces”. That would be ridiculous since so much of my life has nothing to do with being sick.

So, there will be an element of randomness about the series that will make up the installation. I sat down today to work on another abstract  and ended up painting a small portrait of David Bowie. In a very mysterious number of ways, that makes so much sense. His album “Blackstar” was released today, and he would have been 70 also today. Blackstar is a type of cancer lesion. He died of liver cancer. (Blackstar is associated with breast cancer.)

the-attempt-to-healdscn0607

 

“In the Name of Progress”, and my solo this month

In the Name of Progress

This is finished just in time for my show this month at the Franklin Gallery, in RiverStones Framing at 33 No. Main Street in Rochester, NH called “Transitions and Transmissions”.

To me, this image speaks volumes about how progress has left so much of our past literally in the dust. So much about the context of this is wrong. Where’s the farm? It’s parked on the side of US 202 in Maine. The flat tire and the chains in the middle of summer also adds to the story.

The collection that will be included is half abstracts and half pieces similar to this one.

I hope you can stop by for the opening reception on August 11, from 5-7.

Since March??

OK, this is pathetic. I haven’t posted anything in almost four months.

It has been a weird year so far, and I’m not going to make any further excuses. There are lots of changes on the horizon, and I’ve been concentrating on trying to meld ideas and paint. And, I am no longer trying to make it make sense. A change is just that.

The new work was not spawned but reinforced by two commissions, and a sale of two other realistic watercolors.

Below is Chris’ first piece which, when I delivered it,  responded with “That’s f–king awesome!” Guess he liked it. And, enough that I am finishing up another one for him which I will deliver next week.

So, with this bit of prompting, I am revisiting this kind of work. As long as it involves a paint brush and paint.

Milton Auto Works almost

Black Ground series

This is an update of the Black Grounds, now named Jealousy and Fear. There are still some possible finishing touches on both but I am pretty comfortable.

Black Ground-FearBlack Ground-Jealousy.JPG

Black Ground series, drawings and paintings

Last January, a work mate and friend gave me a pad of black paper. I loved black paper in college but haven’t worked much on it since. I have two smaller works solos coming up and this presented a perfect opportunity to work with pastel.

The first drawings have been well-enough received that I then did a 24″ x 36″ oil and oil pastel and chalk painting called “Melting”, which is in the Art PM show at BUOY Gallery in Kittery, Maine.

Melting

Today, I started the color on pre-painted black canvases:

Black Ground 2

Black Ground 3

I sure like it when my confidence is restored. As elegant and simple as “Melting” is, these are much more in keeping with my style. Neither are finished, and don’t have titles as yet, either.

“Pacific Suite, Ojai is Calling”

DSCN0843

This image says a lot about me.

Home is California. Tribal home may be Ojai, though I am not entirely sure of that. I just know when I am there, it feels like home.

It’s painterly, and geometric. Bright, but I also can work really complex color.

Still in progress. Oil on unprimed canvas. 108’X 69″

“Fancy Parade and Other Recent Work”, opening reception, update

This will give you a sense of scale of the newest work. “Untarnished Symphony” is 98″ x 69″. I’m short at 5’1″, but still, they are quite large.

The opening reception was small, but pleasant-attended mostly by friends, and a few of the faculty and students.

I would now like to use this show as a place to talk to galleries in the area. It is up through April 28th at Great Bay Community College in Portsmouth, NH. Please feel free to contact me at artinsmallplaces@gmail.com.

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40 In 40 and Beyond

A lot has been done to prep for this show, and I am really getting excited!! Press is already picking it up and I hope there is more to come!!

http://www.fosters.com/article/20150719/ENTERTAINMENTLIFE/150719349/14324/NEWSLETTER100

And, the public is certainly invited!!

Seacoast Spotlight nomination and other upcoming events

The season has opened with a bang in the area, and I have gotten quite a bit of attention. That does not bother me or hurt my feelings, but it does change priorities!

Last Monday, I was able to secure the June slot at the Gallery 280, which is part of Portsmouth Public TV in Portsmouth, NH. I had submitted twice before, and heard nothing back. They changed directors, and I met with the new one last Monday. This will be a two-person show and includes a half-hour interview segment, which will air every Thursday during the month of June. Cool and intimidating!! (I will have about enough room for 20 of the ReDeFine series). That show will open June 4th.

I also have 4 pieces in an upcoming show at artstream gallery in Dover, NH called “Love Letters”.  These are all postcard-sized pieces. That show opens late in May.

The Gallery at 100 Market Street submission is due very soon, but the curator has expressed interest in the “Portrait” series. That show will open early June.

Blackbird Studio and Gallery reopened with resounding success with the Carolyn Chute visit and book-signing. We had our first official reception last week-end and had a good turn-out and sales!! Our next opening reception will be May 30, and I plan on having NO work on the walls. I am starting to install a very large installation piece on the property over Memorial Day, and I am developing it daily!

from the Carolyn Chute receptin

from the Carolyn Chute reception

The newest show at Blackbird Studio

The newest show at Blackbird Studio

Oh yeah, and the high point, and the reason for this post…I have been nominated in the “Outstanding Painter, Non Traditional” category for the Seacoast Spotlight Awards Editors’ Choice and I am also on the Readers’ Choice ballot. This nomination alone is a huge validation for hard work! And, the group I am “against” are really good painters and I am friends with one of them for the Editors’ Choice. I am friends with several for the Readers’ Choice.

http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT This is the explanation, and listing for the Editors’ Choice.

For the Readers’ Choice ballot, please visit this link: http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT. In the third paragraph, it says click “here” and that takes you to the survey/ballot. And, this will be very hotly contested, so I’d love as much help as possible!! Thanks!!

My show at the Rochester Library looks awesome too. That runs through the end of May.

Thanks for being here!!