Blog Archives

Seacoast Spotlight nomination and other upcoming events

The season has opened with a bang in the area, and I have gotten quite a bit of attention. That does not bother me or hurt my feelings, but it does change priorities!

Last Monday, I was able to secure the June slot at the Gallery 280, which is part of Portsmouth Public TV in Portsmouth, NH. I had submitted twice before, and heard nothing back. They changed directors, and I met with the new one last Monday. This will be a two-person show and includes a half-hour interview segment, which will air every Thursday during the month of June. Cool and intimidating!! (I will have about enough room for 20 of the ReDeFine series). That show will open June 4th.

I also have 4 pieces in an upcoming show at artstream gallery in Dover, NH called “Love Letters”.  These are all postcard-sized pieces. That show opens late in May.

The Gallery at 100 Market Street submission is due very soon, but the curator has expressed interest in the “Portrait” series. That show will open early June.

Blackbird Studio and Gallery reopened with resounding success with the Carolyn Chute visit and book-signing. We had our first official reception last week-end and had a good turn-out and sales!! Our next opening reception will be May 30, and I plan on having NO work on the walls. I am starting to install a very large installation piece on the property over Memorial Day, and I am developing it daily!

from the Carolyn Chute receptin

from the Carolyn Chute reception

The newest show at Blackbird Studio

The newest show at Blackbird Studio

Oh yeah, and the high point, and the reason for this post…I have been nominated in the “Outstanding Painter, Non Traditional” category for the Seacoast Spotlight Awards Editors’ Choice and I am also on the Readers’ Choice ballot. This nomination alone is a huge validation for hard work! And, the group I am “against” are really good painters and I am friends with one of them for the Editors’ Choice. I am friends with several for the Readers’ Choice.

http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT This is the explanation, and listing for the Editors’ Choice.

For the Readers’ Choice ballot, please visit this link: http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT. In the third paragraph, it says click “here” and that takes you to the survey/ballot. And, this will be very hotly contested, so I’d love as much help as possible!! Thanks!!

My show at the Rochester Library looks awesome too. That runs through the end of May.

Thanks for being here!!

 

 

 

Advertisements

Fungi and Flora, at the Gafney Library

Some of the area’s art offerings require a 20-40 minute drive. The Gafney Library has gained the reputation for the offering some of the best of who Strafford County has for art. And, since I showed there last month…

MaryAnne O'Mara and Peggy Brewster at the Gafney

MaryAnne O’Mara and Peggy Brewster at the Gafney

Gabe shoots "Flora and Fungi"

Gabe shoots “Flora and Fungi”

 

 

Openings… and openings… and…openings

I never thought I’d have 4 opening receptions in one week. All group shows. And, one in Norway. But, I’m impressed still.

Tuesday night, the show that I coordinate for the Berwick Art Association opened at the Berwick Public Library, Berwick, Maine. The  show is 46 pieces strong, and includes 20 artists from around the region including: Beth Wittenberg, Christine Kfoury, Anne Vaughan, Bob Farrell, Jean Coughlin, Erika Carty, Rita Fuller, Christy Bruna, Michael Bramlett, Laura Tuininga, Gloria Houlne, Eric Pomorski, Roseann Meserve, Daryl-Ann Dartt Hurst, Jane Lissner, Lee Copp, Gene Galipeau, Tom Gillis, Ruth Bleau, Bruce Bacon.

Turn-out was light, but we had a good time! And, it is a great show. It will be up through March 27.

A number of the artists at the opening at the Berwick Library BAA show

A number of the artists at the opening at the Berwick Library BAA show

Thursday, I was part of an opening in Moss, Norway. I am not going to import Facebook or Twitter images here. It was a benefit, and I was happy to  donate a piece-and it’s cool to say I have been shown in Norway!

Friday, was crazy. I am done with openings…until next Friday.

The Gallery at 100 Market Street is an important place for me to show for a spectrum of reasons. And, this was my 5th appearance on these walls. I have two small pieces on the 4th floor that I didn’t shoot for the blog. This was not my most impressive appearance, but there are more to come.

The show was filled with gems, as usual. I will have to go back to shoot more, because what I shot last night was awful.

The BUOY in Kittery, Maine hosts an aRtPM Challenge annually where the only restriction for inclusion to this show is it has to have been created within the month of February. I included “Muzykzny” last year, even though the sides were still slightly wet. This year, a piece called “Valentine” graces their walls. She’s the faceless watercolor to the bottom left.

"Valentine" at BUOY

“Valentine” at BUOY

“Valentine” at BUOY

I saw a ton of other people’s art today.

Don’t underestimate this area!

snowstorms and other excuses

I wanted to document Neptune, except Nemo from two years ago seemed more exciting. So, been there…

My only excuse for not writing is the number of shows I am preparing for has kept me at the easel, and that’s not a bad excuse, but there is much to catch up on.

The Gallery at 100 Market was a huge focus of the week. Since all of my big recent work is in Sanbornville, I spent most of last weekend and the early part of the week finishing, shooting, and getting the submission ready for that deadline.

She took two pieces, no question.

"Mixed Precip and Hot Chocolate", (c)Daryl-Ann Dartt Hurst, 2015,mixed media on paper.

“Mixed Precip and Hot Chocolate”, (c)Daryl-Ann Dartt Hurst, 2015,mixed media on paper.

And…

"Fading Memories of Drama". (c)Daryl-Ann Dartt Hurst, 2015, mixed media on paper.

“Fading Memories of Drama”. (c)Daryl-Ann Dartt Hurst, 2015, mixed media on paper.

We had a major conversation about the newest work because it’s large, and as much as she wanted it, she needed to really look at space. Ah, the fine art of curation, and since I show at 100 Market regularly, and I want to show the Meez portraits together…we came to a mutual agreement that these would work for this show, and the rest can wait.

I am hoping at some point to get a featured slot there, because this is a great alternative space.

Updates and revisions

I got up this morning after lying in bed contemplating how this piece was not finished. After dinner, I changed all that!

"Juno with Robins", (c)Daryl-Ann Dartt Hurst, 2015, mixed media, 12" x 12"

“Juno with Robins”, (c)Daryl-Ann Dartt Hurst, 2015, mixed media, 12″ x 12″

Now. those of you who don’t know what a blizzard “looks” like, have an idea.

I also worked on the two canvases that I have in progress. “Modigliani’s Mistress” is smiling now-sort of. I blocked out more of the ground, and added a second eye to the face, as well.

"Modigliani'a Mistress", (c)Daryl-Ann Dartt Hurst, in progress

“Modigliani’a Mistress”, (c)Daryl-Ann Dartt Hurst, in progress (sorry this is slightly out-of-focus)

And, the work that changed the most…

untitled, (c)Daryl-Ann Dartt Hurst, 2015, in progress

untitled, (c)Daryl-Ann Dartt Hurst, 2015, in progress

These canvases start completely saturated with paint thinner, to enable the wash effects that I work with. This one got its’ third “bath” tonight, got flipped upside down from the last time I worked on it. I added the metallic gold, white, and deepened some of the purple. It important to note here also that the underlying texture is part of my prep process which includes creating that texture with acrylic paint and a palette knife.

I am hoping to have these canvases both finished this week-end, since there is a call for 100 Market Street that I would like to submit something to. If not, not a tragedy!

I did a lot of shoveling this morning, so an early night for me. Enjoy!

More art from last night

On to the Kittery Art Association, since I had a meeting of the Seacoast Moderns to attend there.

A drastic difference from 100 Market, not so much in quality of execution, but in depth. “Color Palette” offers a great deal of eye-candy. And, much like the “candy food group” is to the body, there is real no nutritional value  to the brain in this show.

This is another venue where I am a member and regularly show, as well. I joined this art association four years ago to have an outlet, and for many of us, it does provide that in a lovely two-story building on Kittery Point. I couldn’t make the drop-off for this show, since I was hanging the Berwick Art Association show at Sole City, at the same time. There are some very technically skillful members, which was also my “draw”. And, it is not nearly as expensive to be a member as the Ogunquit Art Association or the New Hampshire Art Association-though, they look better on the resume since you are juried into them. KAA has no jury process.

Here are a few of my “picks” from “Color Palette:

"Lost Claw" (c)Cleone Graham, oil on canvas

“Lost Claw” (c)Cleone Graham, oil on canvas

"Chip", (c) Max Johnson, MM

“Chip”, (c) Max Johnson, MM

"Kayax" (c)Jennifer Chamberlain, oil on canvas.

“Kayax” (c)Jennifer Chamberlain, oil on canvas.

As with the Gallery at 100 Market Street, the KAA shows are always very well-hung. Judith Bryant has a remarkable eye for making very diverse work, in medium, theme and quality, work together. And, she has no prior knowledge what she will have to work with until it arrives!

Not as challenging or thought-provoking as the Portsmouth show, but definitely worth the drive to Kittery Point his week-end.

The Kittery Art Association is located at 8 Coleman Avenue, Kittery Point, Maine. They are open from 12-6 on Saturdays and 12-5 on Sundays. http://www.kitteryartassociation.com

 

 

This isn’t New York, but…

I can safely say that I saw some very high quality art today!! What a treat! And, I had “time to kill”, which as an artist means that I need to find something to draw on or, take in the answers others can give to you from their own visions. So, the perfect excuse!!

I have been meaning to get to the Gallery at 100 Market Street in Portsmouth to walk this show. I show here fairly often and the parameters of this show would have necessitated new work that I had no time to create. But, because I have a great respect for the curator and the quality of the work that she presents, I needed to make it a point to see “Guise, Garment and Textile”.

Steampunk Family, Astrida Schaiffer

Steampunk Family, Astrida Schaiffer

OK, I was hooked right here! The props and the photos of them on the “family” made it all too relevant. It almost felt like “Antiques Roadshow” where a participant shows up with the antique and all sorts of provenance.

David Mendelsohn is an acquaintance I very much admire, though he does push a feminist button or two with his work, when he eliminates heads and covers them with hat boxes.

David Mendelsohn's wall

David Mendelsohn’s wall

Dennis Perrin, "Watching for Swallows"

Dennis Perrin, “Watching for Swallows”

Denis Perrin’s work, including “Watching for Swallows” was so historically perfect I had to wonder if he was born 150 years ago. Style, paint and application was too incredibly European Impression, almost Berthe Morisot.

The 3rd floor belongs to Caroline Rufo. This articulate abstract craftswoman reinvents the likes of Richard Diebenkorn and all other painters who have taken their compositional inspiration from aerial photography. Her titles, like “Seeking Union” also allude to architecture and building, in the emotional sense.

"Seeking Union", (c) Caroline Rufo. Oil on board.

“Seeking Union”, (c) Caroline Rufo. Oil on board.

But, there is sometimes a sour note in a show this well executed. And, it is on the 4th floor, which tells me that it is good enough for the show, but maybe it needed to be on the 4th floor-for political reasons.

I am native American, so a piece like this entitled “The Raiding Party” was not a happy end. From purely aesthetic principles, a well-articulated and executed piece-but it smacks of knowing nothing of the Trail of Tears or any of the other atrocities that my people dealt with.

"The Raiding Party", (c)Debra Tillar, mixed media

“The Raiding Party”, (c)Debra Tillar, mixed media

Overall, this show is one of the best that Portsmouth has offered in a long time. And, since I am very pro First Amendment, I applaud all of the work in this show, whether or not I agree with politics or philosophy, because of the quality of the execution.

The Gallery at 100 Market Street in Portsmouth is open Monday-Friday on all 4 floors. The 3rd and 4th floors are not available on the week-ends. This show runs through mid-February.

 

 

Instead of Facebook :)-daily posts here!!

I seem to find myself daily telling my little FB world about my art-and I am certainly missing a much larger audience. So…I can always start here, and repost to FB.

Crazy, silly busy week-end in this area for art openings. The first that I attended was on Friday, for the Gallery at 100 Market, in Portsmouth, for their spring show. I have two pieces in this show.

 

Diane Clement and Jodi Edwards at the Spring, 2014 100 Market opening

Diane Clement and Jodi Edwards at the Spring, 2014 100 Market opening

Cacophony at 100 Market

Cacophony at 100 Market (c)Daryl-Ann Dartt Hurst

 

The Gallery at 100 Market Street 3rd floor

The Gallery at 100 Market Street 3rd floor

And another going to Market

"From the Wood"(c) Daryl-Ann Dartt Hurst. 12" x 36", oil on canvas.

“From the Wood”(c) Daryl-Ann Dartt Hurst. 12″ x 36”, oil on canvas.

More of those going to the show

"Cacophony", 2014, 48"x24", oil on canvas. (c) Daryl-Ann Dartt Hurst

“Cacophony”, 2014, 48″x24″, oil on canvas. (c) Daryl-Ann Dartt Hurst