Blog Archives

Nahcotta and Zev Yoga Show Openings tonight

There has been a deterioration of the “Art Around Town” circuit since 3 Graces closed. That was a sad day for many of us. But it was nice to see Kim Ferreira’s “Jackalopes” at Nahcotta tonight-a pleasant reminder that the reason why she closed her gallery was to devote more time to her art.

The decision to venture out tonight was because I am a fan, follower, and friend of Jeannie Griffin-Peterka, and I am proud to say she was my nomination for her solo at the r.mfa.  I needed to see this show. I support my artist friends and I love to see their new work. Her show was at Zev, the opening was 6.

“Art Around Town” starts at 5, and I was in town shortly after. I stuck my head in Kennedy Studios, took a peak and wandered down to Nahcotta. Fair warning-wear great snow footwear. Yikes! Walking was an interesting task!

Nahcotta’s “Enormous Tiny Art-Winter, Show #17” was a really nice change from what they had up last week, which really felt like…this is what we had in the backroom, with no cohesion at all…but we needed something on the walls. I know from having been in enough galleries in the last 38 years, that happens. January is a peculiar month. So, no fault to the gallery for that :).

There is some great work in this show, and based on the red-dots, the show is being well-received. I particularly liked Amanda Kavanaughs’ pieces and Kate Todaro “L3 to the Red Line” series.

"L3 to the Red Line", (c)Kate Todaro

“L3 to the Red Line”, (c)Kate Todaro

I cheated with the camera, because I noticed another person writing and capturing images on his phone. We actually ended up having a conversation about the show, and about what he felt was redeeming, etc. I did think it was fun to be not the only one doing this and Marc and I also shared some “big city” thoughts on the way art is reviewed.

From Nahcotta, I ice skated (not literally, but close), to Zev.  Jeannie was just taking her boots off at the door (it’s a yoga studio) when I walked in. I am a personal comrade, so all I am going to say here is “see this show”. All of her work is fairly large acrylic on canvas.  Her work is remarkable and some day I will own this piece:

"Number 27" (c)Jeannie Griffin-Peterka

“Number 27” (c)Jeannie Griffin-Peterka

There are small details in this painting that she doesn’t always include that I like. This piece almost feels like a cityscape, which grounds it, and I think that’s a quality that I am responding too, as well.

So, I am home and warm and expecting more snow, and then…more snow…with more snow. Perfect painting weather.

 

 

 

Snow and Topos

Today was to be all about art. We were predicted to get 4″-8″ of snow, a perfect excuse to get into the paint.

I have two canvases midway, and I had several challenges to fulfill. I can safely say the canvases are now too wet to continue on and the challenges are completed. A personal goal was also met today by exceeding prior views for my post in one day-and the day is not over.

For most of the morning, I seemed to be able to do no wrong. The right materials and the right colors seemed to just find my fingers!

"Paperwhite", (c)Daryl-Ann Dartt Hurst, mixed media including graphite, watercolor and pastel, 6" x 6"

“Paperwhite”, (c)Daryl-Ann Dartt Hurst, mixed media including graphite, watercolor and pastel, 6″ x 6″

My good friend, Jeannie Griffin-Peterka is really a presence in this piece. Her work and mine are aligned, but her palette is more controlled and subdued, and she blocks her composition differently.

Here is one finished last night that did not get photographed until this morning, which explains quite visually the difference in palette, though mine is usually has more white than this. I love my color!

"Velvet Underground", (c) Daryl-Ann Dartt Hurst,2015, chalk pastel on wet paper. 6" x 6"

“Velvet Underground”, (c) Daryl-Ann Dartt Hurst,2015, chalk pastel on wet paper. 6″ x 6″

I am having way too much experimental fun with literally painting with pastels. This paper was soaked a few times and the marks that are visible were made with a palette knife. Thanks again to my friend, Erika Carty who added more colors to my palette of pastels the other night.

"Mind Topo 2". (c) Daryl-Ann Dartt Hurst, 2015, watercolor, acrylic, pastel,  7" x 5"

“Mind Topo 2”. (c) Daryl-Ann Dartt Hurst, 2015, watercolor, acrylic, pastel gel medium, 7″ x 5″

Where I am not maybe channeling other artists, I am comparing my thought processes, and art processes to reaching peaks. I have a real love for hiking, seeing vistas from a different perspective, and looking down at what I have just accomplished or overcome.

So, this is a sampling…I am posting more.

A note about the way I work: every day, if possible. When I can’t there seems to be this deluge of artistic energy that is apparent on the week-end.