I was diagnosed with Small Cell Carcinoma in October. There have been chemo and radiation therapies since. Last Sunday, I slept from 2PM on with the help of one of my anti-nausea meds. The last several days I have been up until after 9, my old bedtime.
A week ago I dropped off “Imperfection” (above) to the Harlow Gallery, easily a two hour drive from here. And, two hours to return. I was not up to that kind of a drive. Today, it might have been more fun.
Today, I also thought about a proposal that could go to 3S and Space. And, I continue to think about it though I haven’t put pen to paper yet. I worked on the next two of the “Imperfection” series, both of which are larger than the one at Harlow.
And, here I am.
The Rochester Library show went up last week, which incorporates most of what I have completed since I was diagnosed.
“Holding It Together 1” demonstrates another of the artistic concerns that I have embraced recently. Both this series and the “Imperfection” series are monochromatic. These, however, utilize a myriad of materials that are either painted to approximate the color of the canvas or inherently are a similar shade.
“Homage to the Surrealists” uses no paint. The native color of the materials is what is important, along with the textures and translucency.
So, along with a renewed interest in Photoshop, which I also purchased this week, I am exploring my best in 2-D art.
The season has opened with a bang in the area, and I have gotten quite a bit of attention. That does not bother me or hurt my feelings, but it does change priorities!
Last Monday, I was able to secure the June slot at the Gallery 280, which is part of Portsmouth Public TV in Portsmouth, NH. I had submitted twice before, and heard nothing back. They changed directors, and I met with the new one last Monday. This will be a two-person show and includes a half-hour interview segment, which will air every Thursday during the month of June. Cool and intimidating!! (I will have about enough room for 20 of the ReDeFine series). That show will open June 4th.
I also have 4 pieces in an upcoming show at artstream gallery in Dover, NH called “Love Letters”. These are all postcard-sized pieces. That show opens late in May.
The Gallery at 100 Market Street submission is due very soon, but the curator has expressed interest in the “Portrait” series. That show will open early June.
Blackbird Studio and Gallery reopened with resounding success with the Carolyn Chute visit and book-signing. We had our first official reception last week-end and had a good turn-out and sales!! Our next opening reception will be May 30, and I plan on having NO work on the walls. I am starting to install a very large installation piece on the property over Memorial Day, and I am developing it daily!
Oh yeah, and the high point, and the reason for this post…I have been nominated in the “Outstanding Painter, Non Traditional” category for the Seacoast Spotlight Awards Editors’ Choice and I am also on the Readers’ Choice ballot. This nomination alone is a huge validation for hard work! And, the group I am “against” are really good painters and I am friends with one of them for the Editors’ Choice. I am friends with several for the Readers’ Choice.
http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT This is the explanation, and listing for the Editors’ Choice.
For the Readers’ Choice ballot, please visit this link: http://www.seacoastonline.com/article/20150507/ENTERTAINMENTLIFE/150509688/101164/ENTERTAINMENT. In the third paragraph, it says click “here” and that takes you to the survey/ballot. And, this will be very hotly contested, so I’d love as much help as possible!! Thanks!!
My show at the Rochester Library looks awesome too. That runs through the end of May.
Thanks for being here!!
The Rochester Museum of Fine Art owes much to the area libraries since we own nothing more than art. And, what a great thing to own-but only if you have a place to put it up!! We are getting more permanent space at the Gafffney Library.
I stopped at the RPL, hoping to map out my next show there, as well as to see the show on the 1st floor, and the new show at the Carnegie Gallery, on the 2nd.
First, the student show on the 1st floor is superb!!
I was really taken by this piece, but there are really nice 2-d pieces that just didn’t photo well of because of lighting. Really nice, Spaulding High School!!
Upstairs, in the Carnegie Gallery, we just hung Benjamin Cook.
More pop-ups will happen soon!! Benjamin Cook is next!
We have made really great strides since I was asked to join the Curatorial Committee last June. Huge strides!!
Almost two weeks ago, I assisted in the relocation of some of the permanent exhibit from a storage locker to the Community Center in Rochester, New Hampshire. Amy Regan, Matt Wyatt and I also changed the shows at the Goodwin Library, in Farmington, NH and the the Rochester City Hall, in Rochester, NH.
This week we announced our Short Film series which will show at the Rochester Opera House next month.
Benjamin Cook goes up in the Carnegie Gallery in the Rochester Library tomorrow.
And, tomorrow I am among the jurors for the International Biennial 2015. That will be hung in the Carnegie Gallery in June.
More to come!!
The next couple of months will be very big for the visual arts in the area. Events are starting to overlap, and I can only be in so many places at once!!
This is my contribution to artwork offerings.
I hope all can attend!
I saw the work at the Carnegie Gallery by the South African artist Marsi van de Huevel yesterday. The Carnegie Gallery is an amazing little art oasis in Rochester, New Hampshire in the Rochester Public Library, which is curated by the Rochester Museum of Fine Art. I am a member of the board and proud to be representing this incredible work.
First, there is the medium. This work is painstakingly produced with pen and ink. Incredibly time-consuming.
Secondly, larger than “sketchbook scale” here is also presented. Scale in some mediums isn’t questioned. It used to be, “the bigger the more important”, because, well, it’s harder to ignore. So bigger oils and acrylics are now often dismissed just BECAUSE of size, meaning that rule really doesn’t apply to painting unless they really deserve the size. That rule has been around for decades.
Dry mediums and watercolor are usually not presented in a larger format, nor are pen and inks, which is why van de Huevel’s and work I need to revisit at The Gallery at 100 Market Street are important. It is time we challenge what can be large, and ignore the framing!
To be continued…
This whole corridor of southeastern Maine and New Hampshire, including the Berwicks, York and Kittery in Maine, and Dover, Somersworth, Rollinsford, and Rochester in New Hampshire have literally come alive since I moved back to the area in 2005. I have become very involved in two of the art associations, and the I am Show Coordinator for one, as well as on the curatorial board of the Rochester Museum of Fine Art.
The area has not kept up with gallery creation, and the economy still doesn’t support that kind of a venture without a “safety net”, but there are many great supportive venues like the libraries in the area.
I have shown five times at the Rochester Library in the new wing, where Peggy Trout arranges monthly shows with local artists and art groups. The old wing, or the Carnegie wing, displays some of the permanent collection of the Rochester Museum of Fine Art on the main floor. The Carnegie Gallery on the 2nd floor, is where the rotating and borrowed exhibits are hung.
Beth Wittenberg is on display on the main floor. Beth is a very active member of the Berwick Art Association and also a member of Blackbird Studio and Gallery, so we have shared lots of walls together. Beth and I also share a very special connection with art-making, where it seems neither of us have to rely on a muse, inspiration or even a good cup of coffee to need to make art.
What I love about Beth’s work is there is always more than meets the eye. In these pieces from 2013 and 2014, she works very splattered and loose watercolor abstracts into pen-ink fantasy characters, that have color. As an abstract painter, I get lost in looking at the paint below the ink, and then float back to the finished work, appreciating it on multiple levels.
Upstairs, in the Carnegie Gallery are a collection of Dawn Boyer’s oils. Until I brush on my critiquing skills, I will respond as I have to Beth’s-as it relates to my work. Though she is responding to florals, I am looking beyond that again at paint and color. The brush work is solid and experienced. There isn’t hesitation. Nor, is there any immaturity in the palette-it is also self-assured.
Both of these shows will be up through the end of the month.
And, I will probably need to expand the corridor as I described it because I have been invited to show at the Gafney Library in Sanbornville, New Hampshire next month. Another 20 miles north of here.
Coming up: September Song opening reception at Blackbird Studio & Gallery, 387 Somerswoth Road (Rte. 9), North Berwick, Maine on September 6th, from 3-7 PM. The Seacoast Moderns will host the opening for “Igniting the Modern Muse” (our gallery group show) on September 28th, from 4-6 PM at the Kittery Art Association, 8 Coleman Avenue, Kittery Point, Maine . I am planning to teach a rendering in watercolor workshop/how to layer, working wet-on-wet, to develop shadows and richness in color at Blackbird on Tuesday, September 16th and Tuesday, September 23rd, from 6-8 PM- two-2 hour classes, $45 per person, materials included. (Contact me @email@example.com for more information) And today: marketing, marketing and more marketing. Etsy, Pinterest, FineArtAmerica, society6, Houzz, my website and my blog….for starters.
I have been nominated for an Artistic Achievement Award in the city of Rochester, NH, for the Rochester Public Library show this May. I would really like this recognition and I would greatly appreciate a vote from one and all. Geographic location is no barrier. Any of my International followers are invited to participate! Follow this link, and click on the survey.