Blog Archives

Mills and Mills

The region is dotted with many old and no longer operational water-powered paper and pulp mills. Brick factory buildings are also easily found. This part of New England has a strong history in a huge variety of manufacturing and other types of production-related businesses from the original Frank Jones Brewery complex in downtown Portsmouth, to the Button Factory on the other side of Islington. The Schultz meat plant is geographically right between the two. And, is decaying, where the other two now house an athletic club and artist studios, respectively.

The Schultz factory, Mat House Annex side (c)Daryl-Ann Dartt Hurst

The Schultz factory, Malt House Annex side (c)Daryl-Ann Dartt Hurst

I asked a friend of mine who is very involved in Portsmouth New Hampshire politics (where I am sure this is a terrific embarrassment), and the owner seems to have no motivation to clean it up and make it serviceable to businesses, artists, etc. What a shame!!

And, I actually find that whole idea extremely short-sighted considering what the Button Factory charges for studio space, and the last time I checked they were full!! http://www.buttonfactorystudios.com/studio_availability.htm

I have friends who have studios in the 1 Washington Street Mill Building in Dover, New Hampshire. This is a multi-use building that serves a myriad of businesses like Terra Cotta Pasta, a few smaller galleries, framing studios, apparel retailers, and other concerns. Dover has at least three complexes that are all successful in renting to those who need space but maybe don’t need the street-level, strip mall type exposure.

The Rollinsford Mill is very much like the 1 Washington Street Mill except it is heavily rented as art studio space. They, like the Button Factory, host open-studio events where the public is invited to come and experience the art at the Mill and purchase it outside the pretty gallery setting, directly from the artists.

In my travels taking pictures and just reveling in the spring sunshine, I drove (for no reason) to Sanford, Maine. In Sanford, there is a mill complex that looks a lot like the Schultz Factory.

the empty Sanford Mills building (c) DA Dartt Hurst

the empty Sanford Mills building (c) DA Dartt Hurst

No apparent recon is going on with this site, yet it is on a terrific piece of property with a great view. I took a few minutes to walk along this side of the building, and the front and shot this for art.

Sanford Mill venting, (c) Daryl-Ann Dartt Hurst

Sanford Mill venting, (c) Daryl-Ann Dartt Hurst

But, I wasn’t through wandering-the weather was not allowing this cabin-fevered child to be inside all day!

I went home, and lost the New Balance and socks to Tevas. Yes, and toes are happy! But, I was not done finding new treasures.

Gonic is a non-incorporated town that is really part of Rochester, but, like East Rochester, there is a different personality. I got here quite by accident, and found another mill building. But one I didn’t know about. And, one that has been restored, but hasn’t become trendy yet. Uh-oh!

This one has huge spaces, and though I haven’t seen them yet, they could be possibly rented as a group and sub-divided. Rents are crazy-cheap! Like they should be for a studio!

Gonic Mill, with the Cocheco River (c)Daryl-Ann Dartt Hurst

Gonic Mill, with the Cocheco River (c)Daryl-Ann Dartt Hurst

 

 

 

 

Advertisements

Rochester Public Library’s contribution

The Rochester Museum of Fine Art owes much to the area libraries since we own nothing more than art. And, what a great thing to own-but only if you have a place to put it up!! We are getting more permanent space at the Gafffney Library.

I stopped at the RPL, hoping to map out my next show there, as well as to see the show on the 1st floor, and the new show at the  Carnegie Gallery, on the 2nd.

First, the student show on the 1st floor is superb!!

Gabe Pare's wire sculpture

Gabe Pare’s wire sculpture

I was really taken by this piece, but there are really nice 2-d pieces that just didn’t photo well of because of lighting. Really nice, Spaulding High School!!

Upstairs, in the Carnegie Gallery, we just hung Benjamin Cook.

(c)Benjamin Cook, "Untitled"We also have more of his work for the Carnie Medical window.

More pop-ups will happen soon!! Benjamin Cook is next!

Busy, and the Gafney opening was perfect

I was trying to post daily, and I got really good at posting something…

and then this last period happened…

so, here I am again, to show off today, and the opening reception at the Gafney.

I loved today. A perfect flow where everything actually made sense. Huh?

I delivered 2 pieces to the Gallery at 100 Market, and the curator was there early, knowing I needed to be in Sanbornville at 9:30. Amazingly, I got to the Gafney much earlier than I expected. So, the food display was artful, too.

My compadre, Steffanie Antonio was there right after 10. That really set the pace for the reception! Anne and Niles showed up not 10 minutes later…

Gabe Smith showed up in a HAZMAT suit, to so a performance at the Courier. Amy Regan is also here.

Gabe Smith showed up in a HAZMAT suit, to do a performance at the Courier. Amy Regan is also here.

As Anne Vaughan wanted a real tour, I needed to break for a whole new set of arrivals. I am waiting for the rest of the images that other people shot today, because once things got rolling, I “lost” my camera.

Steffanie Antonio's shot of me in front of "Truant's Holiday"

Steffanie Antonio’s shot of me in front of “Truant’s Holiday”

Amy Regan, who is one of the founders of the Rochester Museum of Fine Art came and we discussed not only some of my art-making history, but also some of the mechanics of this show, and how I work.

I guess for some, putting together a show this size might be a retro…for me, the oldest piece in the show is September of 2013. About 40 of the 49 pieces on display are from 2014.

It will be up through next Saturday-check for the library hours on their website.

 

BAA Artshare meeting, January, 2015

We had a very successful Artshare meeting tonight. Another reason to champion a local library! The Berwick Art Association has no permanent building for meeting or showing, and the Berwick Public Library allows us to use their conference room for our business meetings and their one large table in the main library for our Artshare meetings.

In attendance tonight, there were four new members and ten of the older members, which is the best turn-out yet. These meetings are all about bringing work to share. If it is in progress, or the artists has issues they would like to discuss about their piece, that’s what we do. Otherwise, we converse casually about each sharing person’s work-BTW, you don’t have to bring art.

The group discusses Christine Kfoury's "Packer's Falls"

The group discusses Christine Kfoury’s “Packer’s Falls”

Tonight was special for a number of reasons: Gloria Houlne has returned to BAA for these meetings, Beth Wittenberg gave away ten copies of her first zine, and it was the most art shared at one of these meetings, to date.

Ruth Ann Bleau had her hands full as meeting chair getting us through the abundance of great art showed. Gloria’s piece,  was discussed probably longer than it should have been, based on the size of the group, though it was worthy of the time.

Gloria Houlne, Ruth Ann Bleau with Gloria's offering

Gloria Houlne, Ruth Ann Bleau with Gloria’s offering

Ruth Ann Bleau and Anne Vaughan injected the evening with politically charged art. Beth Wittenberg brought her first zine based on her series of works called “Buildings, Beasts and Storms” which depict some of the nastiness and craziness that lives in all of us, and gave the original signed copies away. A new member, Aaron, brought his Comic-style book based on his daily life. Other work included a pen and ink of James Dean, a spin-art on a light fixture cover, a large acrylic abstract, a series of autobiographical photos, a small architectural rendering and my random small paintings done for “painting challenges”. And, Kristen’s cow.

Kristen Dolloff shows her piece.

Kristen Dolloff shows her piece.

As this group grows and matures, the work does, as well.

The BAA Artshare group meets every third Wednesday night at the Berwick Public Library, Berwick, Maine from 5:45-7:15. We never know who will be there or what they will bring. Snacks are also welcomed-we do munch, too!

 

Gabe Smith’s “Gray Planet” at the Gafney Library, Sanbornville, New Hampshire

This show exemplifies ALL of the reasons this blog came to exist, all of the reasons that I champion libraries in the area for showing really fine regional work, and finding and seeing work by a total unknown. (In a small place-like Sanbornville.)

Gabe Smith graduated high school in 2010, and is demonstrating in his show at the Gafney called “Gray Planet” sophistication in an art vocabulary that goes far beyond his years on the planet Earth and his scholastic art training.

His theme for his work is both very personal and universal. He has dealt with friends who have committed suicide and acts of self-harm. He approaches this theme with mediums, like motor oil and drywall, which are also very temporary and unstable, things that will chip and eventually fall apart. Much like us “gray people”. His mediums rarely are traditional and he relies on mixed medium, found objects and spray paint.

Gabe Smith at the Gafney

Gabe Smith at the Gafney

He was very gracious and walked through the show with me, explaining the inspiration of some pieces and the collage elements in others. Again, for a first-timer, extremely ready to face this art world.

"Hobo", (c)Gabe Smith

“Hobo”, (c)Gabe Smith

“Hobo” has among it’s materials used, old maps of Maine-they are the hobo’s face.

"Gray Planets" on the mantel, "Space and Stuff", large piece above, all (c) Gabe Smith

“Gray Planets” on the mantel, “Space and Stuff”, large piece above, all (c) Gabe Smith

Now, remind me again-where is this show?

So, Gabe is a multi-talented artist and also performed at the Wakefield Opera House tonight. The opening reception at the library was followed by his performance which I opted out of.

Find Gabe Smith Pop Culture Icon on YouTube, and check out http://gafneylibrary.weebly.com/ for library and show hours. This show is up until the end of the month.

 

 

 

Art at the Rochester Public Library, Rochester, NH for the rest of January, 2015

This whole corridor of southeastern Maine and New Hampshire, including the Berwicks, York and Kittery in Maine, and Dover, Somersworth, Rollinsford, and Rochester in New Hampshire have literally come alive since I moved back to the area in 2005. I have become very involved in two of the art associations, and the I am Show Coordinator for one, as well as on the curatorial board of the Rochester Museum of Fine Art.

The area has not kept up with gallery creation, and the economy still doesn’t support that kind of a venture without a “safety net”, but there are many great supportive venues like the libraries in the area.

I have shown five times at the Rochester Library in the new wing, where Peggy Trout arranges monthly shows with local artists and art groups. The old wing, or the Carnegie wing, displays some of the permanent collection of the Rochester Museum of Fine Art on the main floor. The Carnegie Gallery on the 2nd floor, is where the rotating and borrowed exhibits are hung.

Beth Wittenberg is on display on the main floor. Beth is a very active member of the Berwick Art Association and also a member of Blackbird Studio and Gallery, so we have shared lots of walls together. Beth and I also share a very special connection with art-making, where it seems neither of us have to rely on a muse, inspiration or even a good cup of coffee to need to make art.

works at the Rochester Public Library,(c)Beth Wittenberg

works at the Rochester Public Library,(c)Beth Wittenberg

What I love about Beth’s work is there is always more than meets the eye. In these pieces from 2013 and 2014,  she works very splattered and loose watercolor abstracts into pen-ink fantasy characters, that have color. As an abstract painter, I get lost in looking at the paint below the ink, and then float back to the finished work, appreciating it on multiple levels.

Upstairs, in the Carnegie Gallery are a collection of Dawn Boyer’s oils. Until I brush on my critiquing skills, I will respond as I have to Beth’s-as it relates to my work. Though she is responding to florals, I am looking beyond that again at paint and color. The brush work is solid and experienced. There isn’t hesitation. Nor, is there any immaturity in the palette-it is also self-assured.

Carnegie Gallery, (c) Dawn Boyer

Carnegie Gallery, Rochester Museum of Fine Art, (c) Dawn Boyer

Both of these shows will be up through the end of the month.

And, I will probably need to expand the corridor as I described it because I have been invited to show at the Gafney Library in Sanbornville, New Hampshire next month. Another 20 miles north of here.

 

 

Lady in Red, Part II

The media gave us some attention, so I wanted to pass it on!!

http://fosters.com/apps/pbcs.dll/article?AID=%2F20130826%2FGJNEWS_01%2F130829521&template=SouthernMaineRegion

This is from the recent Lady in Red event in Berwick.

 

A bonafide artinsmallplaces week-end

I was straight out this week-end and did not put a nail into a wall or pick up a brush. So, it could have been better, but, I really like seeing other people’s work, too.

Friday night, I followed up on a lead I got from my Moderns group at the KAA. And, please visit the blog I just created for the group called The Seacoast Moderns Group! After scoring a show in August in downtown Portsmouth, I decided to come home.

Since I have been the major maniac, I decided that I would chill Saturday, and not paint. Malynda from the Gatehouse Gallery had invited me up for the Tamworth Art Council auction. And I had not made any posts about shows other than those that I am somehow associated with. On my way up, I stopped in Wolfeboro.

This gallery packs the art, but there is some memorable work. Edward Gordon’s work is amazingly technically beautiful. It lacks soul, but I admired it for the precision. Other artists that I picked up info about were Suzanne deLesseps, Valerie Schurer Christle and others. I found most of the work predictably representational. But,this gallery was definitely worth checking out, where the Artisan’s Corner, right next door…not so much for fine art.

The Art Place, 9 North Main Street, Wolfeboro, NH 03894  (603) 569-6159.  www.theartplace.biz

The Art Place, 9 North main Street, Wolfeboro, NH

Newport, NH-and no, I didn’t make it to Sunapee

Belinda Pitrowski, owner of B’s Art and Designs
“When You Hear Water”, Susan Lirakis, photography

Newport, New Hampshire. A town I had never been to and I wandered to because after assessing what I had forgotten in my camping supplies, I determined that I needed something to paint on. I got in late enough on Friday night to not really miss paper. 

 After breakfast, what seemed like the best plan was explore, find paper, come back to camp and hike and then do some work.
 
Quite by accident, as I drove around Newport (the nearest town to camp), I found the Newport Free Library and their gallery. Since that didn’t open ’til 11 AM, I decided to explore. Newport provided me with a wonderful quilting store, where I bought butterfly fabric. The butterfly is the symbol of magic, beauty, creativity on the Medicine Wheel-and that leads to another story later.
 
One of the women there directed me to where I could find cheap watercolor paper. And, at Odd Lots, I was able to get a few other camping essentials I had missed, and watercolor paper, but that’s of dubious quality.
 
It was still too early to venture back to the Library Arts Center, so I set out to find small art. Or, art in small places. And, I hit “B’s Art & Designs” which is very definitely small, crammed full of hand-decorated items, including furniture, clothing, jewelry and stained glass and owned by Belinda Pitrowski.  And, this proved to me that what I am venturing to do with this blog makes sense.  I might have discounted the goal of the gallery as to present strictly decorativework  had I not talked to the proprietor.  Once she determined that I was the “real deal”, we had a great conversation touching on a number of topics. I showed her previous web postings and she felt really comfortable.
 
Pitrowski opened this small gallery a few years ago, and told me that the last two years were better than this one. She is more about craft, but she has been published. Her moose family (she didn’t give me an “official” title)  was featured on the cover of a hunting magazine, though she didn’t give me the name of it.  She feels confident about business and is looking for a larger space. And, after I explained my plight about being without good watercolor paper, she gave a piece large enough for two of the small watercolors that I am doing for the new series.
 
Newport Free Library  Arts Center was so much the opposite of “B’s Art & Designs”: sophisticated, and very ‘cosmopolitan’.  The featured photography by Susan Lirakis and her show, “When You Hear Water”  was a delight in a totally different sense. Where Pitrowski has passion and enthusiasm, Lirakis has a mastery of her medium and a true concept and a well-developed method of the potrayal of that concept. Where Pitrowski might not paint in the lines in quite the same way that those of use who are academically-trained might, her stuff is about the real desire to paint. Lirakis has the confidence in her work, and everything that it involves, but it lacks that grit that I find refreshing in some of the smaller venues. And, since I am also academically trained, and from Los Angeles, I admit that I will always feel more comfortable in this arena. The photos were lyrical and poetic. Though not ground-breaking, there was that sense of calm that comes from water and the proximity to it, and knowing exactly what to do, and what materials you need when you create.
 
And, here’s the twist: the Library Arts Center hosted an pleine-aire gathering for area artists to paint called “Arts in the Garden” and those works are in the back gallery. Belinda Pitrowski is represented here, as well. This exhibition lacked frills. There was nothing greatly impressive about the show aside from the fact that this area exhibition space has put this show up. Though I didn’t take notes, I will say that there were a few well-executed pieces.  There is also a silent auction for this work.
 
With that inspirational fuel, I went back to camp, had lunch, and took a two mile hike. When I returned, I proceeded to set up Belinda’s paper for two new pieces. I ran on that fuel for the rest of the afternoon, with the additional support of a White Admiral butterfly. The two new pieces, both of which are finished but I have yet to shoot, will be the subject of an upcoming entry.
 
Additional information about the shows, etc:
“B’s Art & Designs”, 6 Central Street, Newport, NH (603) 865-5437, or (603) 477-8108. I have no hours for the shop, so call ahead.
Library Arts Center, 58 N. Main Street, Newport, NH (603) 863-3040
     Susan Lirakis, “When You Hear Water”, runs from August 6-September 17.
     ‘Arts in the Garden Exhibit” also runs from Aug. 6-Sept. 17. Gallery hours are Tues-Sat., 11-4.
 
This is about what I’d like the posts to start looking like. Please feel free to post comments.
 
Daryl-Ann Dartt Hurst, artinsmallplaces
 
 

Bike Week, without the bikes

I have often wondered what Bike Week looks like to people in Nebraska. Or, what those people think of Gilford, New Hampshire. Bikers know, but my guess is everyone else … But, it surely isn’t an art/antique destination.

Gilford, Gilmanton, Gilmanton Iron Works and Alton actually inspired this blog. No, these are probably not art/antiques destinations, but I hope to promote those reasons to come to these places. And others.

I happened to be sitting in my campsite at Gunstock, a year-round resort where I have done some snow-shoeing and cross-country skiing, just outside Gilford, when I happened on the idea for this blog-to use an old expression. The following morning sent me running home for raingear-and 45 minutes away, that was OK.

After finishing rain-proofing the campsite, I ventured off to see if there might be enough to write about. There will be plenty.

As a writer, reviewer, critic, I am not necessarily looking for the same thing in all venues. And, having lived in New Hampshire for a long time, I have seen some remarkable work in general stores. And, that’s what I am looking for.

S0, I set out, first to Gilford. No. Nothing that looked like a museum, gallery and I don’t even remember a gift store. And, after that rainy start to the morning, the day turned rather hot and sunny.

I drove into the outskirts of Laconia, but that was not the point. Laconia is large enough that I should be able to make a post just on it. So, down to Gilmanton, Gilmanton Iron Works and back around. The circle, with stops took less than 1 1/2 hour.

Down 106. And into, Gilmanton. N., Into Gilmanton Iron Works. There was a fabric store. I should have stopped but didn’t.

Back into Alton, and then Alton Bay. I did stop at an antique store on 140 not long before reconnecting with 28.  I unfortunately have lost the proprietor’s card but he was genuinely friendly. We discussed a  50’s AM radio as well as a piece of carnival glass. A nice piece of Carnival glass, but not marked.

From there I was back to camp, to once again dream how I could make this a revenue stream. There are more ideas in the works., and I will be reviewing Portsmouth Art Around Town on Friday.